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The
Invention of Hugo Cabret
Author: Brian Selznick
Publisher: Scholastic Press
ISBN: 0-439-81378-6
Price: Rs 953
Age: 9 +
I
discovered this book in early 2007 while
trawling the web for books. The book was not
released yet but the website was up by and
Selznick’s illustrations were mindblowing!
Like Maurice Sendak, Selznick too displays a
versatility in his style and it’s always a
pleasure to see an artist push the envelope
steadily. The concept of this work of art is a
skilful blending of illustration and text,
combining the idea of filmmaking (Selznick draws
inspiration from Georges Méliès the filmmaker
from the early 20th century).
Now,
the book. It’s a beautifully bound hardback
and hopefully the sheer volume of pages will
discourage a paperback edition. The pages are
thick and every page will make you gasp in
wonder. The
illustrations are as much a part of the story
and if you take the advice of the author and
read it like a movie, the impact is memorable.
Set
in turn of the century Paris, Hugo Cabret is an
orphan living in a train station. His obsession
is to get the robot that his father had found,
to work. All he has to guide him are the notes
his father left him. Forced to make ends meet
when his uncle disappears, Hugo takes up his
uncle’s job of being the winder of clocks. He
also begins to nick little things from a toy
booth in order to fix this robot. There he comes
in contact with an unusual girl and the toy
booth owner who’s more mysterious than meets
the eye and the story picks up pace. The toy
booth owner catches Hugo stealing and comes upon
the notebook, which makes him really angry. He
confiscates it and threatens to destroy the
book. Hugo is now desperate to get it back; he
is determined to finish what his father started.
Selznick ties it all up rather neatly in the
end.
It’s
a well-told story but more than that it is an
exciting book to hold and read. The storyline is
interesting and at times it may feel as though
the charcoal sketches overpower the text. But
it’s a book I recommend strongly and if you
have a few reluctant readers in your class, try
this book on them – the sheer volume may look
intimidating but once they open the book and see
that more than half of it is in pictures, they
may actually try and see what it’s all about.
Brian
Selznick worked at a bookstore while also
writing and illustrating his first book, The
Houdini Box. He is probably best known for his
illustrations for Andrew Clements Frindle.
Selznick won the Caldecott Honor for The
Dinosaurs of Waterhouse Hawkins (2001).
Aravinda A.
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